An Iconic Symbol of New York CityThe Flatiron Building, originally (and only officially) called the Fuller Building after a real estate company that owned it, is located at 175 Fifth Avenue in the borough of Manhattan, New York City. It was built in 1902 by Daniel H. Burnham, architect of the Chicago school.
First, A Little History
The original site had a building of a similar configuration, but the Fuller Building was on a completely different scale. Among the tenants on the site were the Erie Railroad offices (which had been there for decades), Wells Fargo, a dentist who used 'painless methods,' a chiropodist, a manicurist, and, behind it, a dealer in oriental rugs.
|A dramatic illustration of 23rd Street and Fifth Avenue, where the Flatiron Building would soon stand. From here you can see the taller Cumberland building which would be used for billboards.|
The top of the low-slung building there was prime advertising space, much like the north side of Times Square later would become.
The dates of early pictures taken of the Flatiron Building are sometimes hard to pin down.
|I like this shot because of the photographer shown in the lower right corner. The Heinz kept changing, too.|
However, the site, which had a low-slung professional building on the location, was cleared for construction around 1901. The building itself was completed in 1903.
The Flatiron was the subject of a lot of classic shots shortly while it was being built. You always had the standard distant, tree-lined shot with the hansom cabs, the ladies walking by, and a peekabo shot of the Flatiron itself in the distance.
The 23rd Street area was the center of city life at the turn of the century. It was like 42nd Street is now. It was an area for women to promenade and men to offer them a ride.
There was a gentility that was enhanced by the elaborate fashions of the day.
The Great Building Arrives
Under construction 1901|
Many professional photographers were located nearby (note, for instance, the signs in some of the shots).
|1902. The horse still rules the road.|
This was unusual because there weren't that many photographers at all in those days. Remember, though, that "Hollywood" was just a few blocks down on 14th Street then and would be until 1911.
|Flatiron 1902, just completed.|
The technology was still fairly new, and the new building was a perfect showcase for their abilities.
|Colonel Donovan and staff of 165th Infantry, passing under the Victory Arch on 23rd Street and Broadway across from the Flatiron Building. The Arch was demolished soon after. 1919. (by The U.S. National Archives, via Flickr)|
Around the time of World War I, the intersection of Broadway and Fifth Avenue was one of the city's great centers. The victory parade for World War I focused on the square, which is so massive that they were able to erect temporary columns and a wooden victory arch as in Roman days which the marchers could pass through.
|Flatiron, 1920s? That appears to be a recruiting center with guns sticking out.|
Thus, we are fortunate to have a number of early photographs from the earliest days of the Flatiron.
It sits on 23rd Street at the base of Madison Square Park, which used to be a much bigger deal than it is today - though the park and surrounding area has revived recently.
|Flatiron on February 3, 2014|
The Flatiron (as everyone calls it) is considered to be a groundbreaking skyscraper. Upon completion in 1902, it was one of the tallest buildings in the city and one of only two skyscrapers north of 14th Street.
|Flatiron, 1903. Brand new. This is a standard location for shots of it, as we will see. All horses and buggies.|
|Flatiron, 1905, winter. Nice shot of the streetcar, with the stop just kind of 'there' in the middle of the intersection. Imagine that now!|
My apartment is about 8 blocks south of the Flatiron Building, located in the neighborhood named for that iconic structure.
The Flatiron is one of those buildings that will catch your eye even if you've walked past it a hundred times - which I have.
|Flatiron around 1918, wintertime. Still looks uncannily like this.|
My most interesting walk by it, though, involved the little-known (by outsiders) statue of General Worth just north of the Flatiron, in the intersection with Broadway. This happened during the ricin scares of the early 2000s. A cop had his back to me and was scooping up some white powder at the base of the statue. No barriers there, just the cop and the powder dumped beneath the statue of the General.
He suddenly turned and shouted at me excitedly to get away, because it might be ricin, and when I didn't run screaming out into the middle of traffic seemed a little perturbed. All I can say is, in New York City, you take stuff like that in stride. I'm still here, so I guess it wasn't ricin. Could have been.
|1905, a slightly different angle. This picture is a bit more romantic, I think.|
I've always been curious what it is like in the offices situated closest to these shots, the ones with the narrowest width.
|This is a colorized version of a shot taken right around the time the Flatiron building was built.|
|You can't make this photo with the shadow today. From Rudy Burkhardt, circa 1940|
|Flatiron Building circa 1950. Nice double-decker Fifth Avenue bus.|
New Yorkers, especially from the neighborhood (of which I am one), tend to think of the Flatiron Building as that big hunk of rock to get around at 23rd Street, where there is an express stop on the subway and a key transfer point.
|Gotham at night. This looks like it came out of a Batman movie. Look toward 2 o'clock and you see the Washington Square Arch. I feel as though I should have a martini in hand and Sinatra on the player with romantic shots of this sort.|
However, it is more than that, it also is a symbol of the entire midtown south area, though because of the preeminence of the Flatiron Building as an iconic landmark, an entirely new designation for its locale - the Flatiron District - has come into use.
We don't spend a lot of time looking up at it except when walking down 5th Avenue towards it.
The most interesting aspect of the intersection is Madison Square, which opens up and provides some relief from the walls of stone and metal much like Grand Army Plaza at 59th Street. But it is somehow comforting that the Flatiron is always there, unchanging, providing a visual reference point where Broadway and 5th intersect. It turns an otherwise nondescript and unremarkable intersection into something iconic.
Probably pretty cool to work in there. Some of the offices must have interesting shapes.
|Flatiron Building by Emilio J Santacoloma. This is in pretty much the same line as the one above from 1905, though a bit closer perhaps|
The 1990s television series CPW was set in this building, but I highly doubt it is as spacious inside as the series made it appear.
|Fifth Avenue branches off to the right, Broadway to the left - which has been branded as "Silicon Alley"|
Probably the most fascinating thing about the Flatiron Building is the simple fact that it hasn't changed. In fact, it's surroundings haven't really changed, either: you still see the same trees, the same streets and intersection, the same dark figures rushing the through the cold and gloom. You can even imply the horse-drawn cabs into today's scene, though they now are relegated to Central Park (and soon probably not even there). The Flatiron is like a security blanket always there, always imposing, never really intruding. Just... there.
|The view hasn't changed much at all since this picture was taken. This may be the same as the shot above, but the lighting makes it a completely different picture.|
|Berenice Abbott's shot of the Flatiron Building from the late 1930s. It's fascinating that they had a parking lot in the middle of the intersection - parking is always a problem in the area, and it has only grown worse with time.|
The Federal government was looking for ways to put people to work during the 1930s, and photographer Berenice Abbott was happy to oblige. She proposed 'Changing New York,' her grand project to document New York City, to the Federal Art Project (FAP) in 1935. The FAP was a Depression-era government program for itinerant artists and workers in connected fields such as advertising, graphic design, illustration, photofinishing, and publishing. A changing staff of more than a dozen participated as darkroom printers, field assistants, researchers and clerks on this and other photographic efforts. Abbott's efforts resulted in a coffee-table book in 1939, in advance of the World's Fair in Flushing Meadow NY. It had 97 illustrations and text by Abbott's fellow WPA employee (and companion), art critic Elizabeth McCausland (1899-1965). The FAP distributed complete sets of Abbott's final 302 images to high schools, libraries and other public institutions in the metropolitan area, plus the State Library in Albany. Throughout the project, exhibitions of the work took place in New York and elsewhere. The founding of the National Endowment of the Arts in 1965 (during the next New York City World's Fair) was an extension, at least in spirit, of the FAP.
|Do not know the date, but 1905 or so sounds about right|
|Stieglitz, 1903, when it was brand new|
|Flatiron Building from the north. You can just barely see Washington Square Arch in this shot|
|New York's "Silicon Alley" has revitalized this neighborhood|
|September, 1918. There were very few tanks in those days, this was cutting edge.|
|The view from the Flatiron Building. This was once one of NYC's most important squares. The memorial to Major General Worth is at the top, Broadway is the cross street, Madison Square to the right (unseen).|
|The iconic Flatiron Building|