The Beacon was a 2,894-seat, three-tiered palace designed by Chicago architect Walter W. Ahlschlager, who had just designed the nearby Roxy in 1927. Trying to duplicate the Roxy's glamour, the Beacon's first name was the Roxy Midway. With the building completed November 1928, and the enclosed theater opened in 1929, the Beacon contained the usual theater kitsch of the era, complete with seated golden lions on each side of the stage and a Wurlitzer 4 manual 19 ranks theatre organ. Warner Bros operated the Beacon until 1932, when it sold it to the first of many subsequent operators.

As the decades rolled along, the old theaters succumbed to age and urban renewal. In the mid-70s, Steven Singer and Stephen Metz bought the Beacon and hosted a series of concerts by the Grateful Dead in 1976. The new crowds weren't as respectful of the kitsch and the theater began to deteriorate quickly.  By 1986, the Beacon was the largest surviving picture palace in Manhattan. It was in sad shape by the 1980s, though, as the picture at the top of this page shows. New owners in 1986 converted the theater into a disco, a bit late to that fad but better late than never! Unfortunately, that meant gutting the interior, so if the golden lions were still there then, they weren't thereafter. On November 4, 1982, the entire 24-story Beacon Theater and Hotel was designated a national landmark and is now on the Register of Historic Places.

Martin Scorcese is a big fan of the Beacon and has featured it in his movies. While a student at NYU in the 1960s, he filmed "Who’s That Knocking At My Door?" (1969), starring Harvey Keitel, and the Beacon makes its first appearance in a Scorcese film. It reappears in his 2006 documentary “Shine a Light” about the Rolling Stones shows that year at the theater.

I hope you enjoyed this trip through time with the Beacon Theater. Please visit some of our other pages if you liked this one!

2020